Juha Pekka Matias Laakkonen is known for his uncompromising investigations of the relationship between humans and nature. While his works may at first resemble studies of nature, they in fact challenge the boundaries of the natural and the extent of human intervention within it. With an often ironic tone, he points to the human urge to preserve the existing state of things—an impulse that, from a broader perspective, can appear both self‑important, paradoxical, and ultimately futile.
As part of Bringing In The Tide, Laakkonen contributes a performance that can be experienced throughout the exhibition period and across various locations within the Wadden Sea ecosystem. For the exhibition, he develops a series of nature‑based tools, which he shapes through slow, hands‑on processes. The idea behind these tools is to carry out forms of nature care that are as unproductive as filtering the wind or showing birds where to land.
The performance unfolds as a poetic, humorous, and critical commentary on the regulations and protections that determine who is permitted to act within protected and conserved landscapes. It points to the paradox that nature—such as in a UNESCO World Heritage site like the Wadden Sea—often appears most protected when interventions take artistic or aesthetic form, yet remains negotiable when economic interests are at stake.
BIO
Juha Pekka Matias Laakkonen (b. 1982, Helsinki) is a Finnish visual artist educated at Nordiska Konstskolan in Kokkola, Finland, and at Malmö Art Academy in Sweden. Laakkonen is represented by Corvi‑Mora Gallery in London. He has exhibited nationally and internationally in both solo and group exhibitions, including the solo exhibition Buoyancy (2022) at Gasworks in London, which included a performance unfolding throughout the entire exhibition period, and Argonaut (2023) at Corvi‑Mora. In 2024, he participated in the group exhibition After the Sun at Kunsthal Gammel Strand in Copenhagen, presented in close collaboration with the Buffalo AKG Art Museum in the United States, where the exhibition had been shown earlier that year.