Visual artist Ava Samii's work Unlit Cathedral celebrates our coexistence with birds - not merely as living beings, but as an inseparable and significant part of our own existence.
Inspired by Ottoman birdhouses and using the migratory bird as a symbol of migration, the work explores the interrelationship be-tween the consequences of cli-mate change for both humans and animals. The work explores how we ascribe different meanings to human and animal bodies.
The work focuses on caring for the weary traveller seeking better living conditions, food, and shelter, and on the structures and attitudes that shape our view of those who move across borders - whether they are animals or humans.
The work functions as a kind of "black box": a testimony to an imagined collapse of the ecosystem as we know it. It serves as a record of what was lost and as a reminder of our shared responsibility and interdependence.
Ava Samii is interested in how our shared spaces can be opened through memory, the sentimental, ritual actions, and speculations on alternative worlds. Samii seeks to dissolve the boundaries between fiction, spiritual experience, and embodied reality, challenging the hierarchies that shape how we value and understand these different forms of experience.
BIO
Ava Samii (b. 1990, Denmark/Iran) lives and works in Copenhagen. They are currently pursuing an MFA at the Royal Danish Academy of Fine Arts, Schools of Visual Arts, Sculpture School at Charlottenborg. Samii has exhibited at institutions including Kunsthal Charlottenborg (DK), Nikolaj Kunsthal (DK), Scroll (NYC), Deutsche Foto Institut (DE), as well as Tranen (DK) and Augustiana Art Park & Art Hall (DK). They were part of the curated programme at Enter Art Fair in 2022, and in 2023 Samii was selected to create Politiken’s iByen Prize.